For this project, we created a series of FOOH (Fake Out Of Home) videos for social media to promote our Drop05 shirt at Beyond. To create a surreal and attention-grabbing effect, we scaled the shirt to an exaggerated size and placed it in different cities, including Amsterdam, Malta, and Tokyo.

We filmed the location footage ourselves, and I was responsible for shooting the Amsterdam video. For this project, I practiced using Blender’s camera tracking tools to integrate the oversized shirt realistically into the scenes. The subtle cloth physics of the garment were developed by the fashion team in CLO3D. In post-production, we enhanced the realism further with additional effects and compositing in Premiere Pro.

I worked on two Roblox projects at GoSpooky for Samsung, aimed at reaching a younger audience through interactive gameplay.

The first project focused on promoting a range of Samsung products released alongside the Fold and Flip models. The second project, Demon Hunt, was built around a new product lineup including the S26 and Buds. In this experience, players explored a Korean-inspired world and used in-game mechanics based on Samsung’s features while hunting hidden demons.

My role focused on 3D asset creation, where I worked on modeling and texturing assets used both throughout the environments and as UGC items. These included wearable elements such as hairstyles, hats, and masks that players could unlock and use in-game. The goal was to create assets that were visually engaging while staying optimized for performance within Roblox.

A key part of these projects was working within the technical constraints of Roblox. I focused on keeping polycounts low and geometry efficient, while using texture baking to preserve detail where possible. Materials and textures were optimized for performance, and assets were built to work reliably as UGC across different avatars and use cases.

I designed and created this 3D avatar for Beyond studio, featuring a gender-neutral body to seamlessly accommodate both male and female outfits. This versatile design allows us to use the same avatar across various fashion projects, making it a practical solution for our 3D renders.

For this project, I started by sculpting a character head and really focused on giving the face strong, interesting shapes and features. This was mainly a way for me to improve my portrait sculpting skills. Once the head was done, we decided to turn it into a full avatar to showcase the fashion team’s garments, explore body movement and cloth physics, and maybe even use it for a digital fashion catwalk event.

I worked on the avatar animation, using video-based movement reference and refining it into clean, usable motion. The body was shaped to support the silhouettes and movement the designs needed. The fashion team took care of the environments and cloth simulations in CLO3D. In the final stage, I brought everything together with camera work, editing, and color grading.

These videos were created during the development of Adom's latest collection, a fashion brand known for its innovative approach. Initially starting as experimental pieces, the 2D illustrations were transformed into engaging 3D visuals. Designed specifically for Adom's social media, the videos were created in a 9:16 aspect ratio, optimized for seamless looping.

As a young person growing up within two different cultures can cause confusion. It causes a lasting search for where you belong. The country in which you grew up, and the country where you have your family, friends and memories, can sometimes make you feel like a tourist. For this project I researched about the difficulties I experienced growing up within two cultures. How it shaped my personality and made me the man I am today. This research gave me a lot of clarity and answers. but it certainly doesn't end the search for my own identity within these cultures.With this work I want to provide insight into my thoughts, experiences, struggles and love that go along with this quest.

The lockdowns across the world brought many changes to the way we travel. Many plans to move abroad or explore new places were disrupted, including my own plan to do an internship in Istanbul. This situation pushed me to reflect on how traveling and relocating could exist in similar circumstances in the future.

I found this idea in a crypto housing market within a virtual world. A world that can be visited from the comfort of your real-life home using VR. RE-TRAVEL gives a short glimpse into this concept by presenting a collection of crypto apartments for Üsküdar, a beautiful district in Istanbul.

For this project, I had more time than usual to think and do in-depth research on the subjects I wanted to address. This was a very enjoyable process, as I like to experiment a lot during the early stages of a project. After a long research phase, I took time to explore different ideas and concepts through experimentation.

Based on the concept and story of the project, I knew I wanted to work with 3D again, using Blender. Since the project focuses on traveling to Istanbul, I aimed to recreate a simplified version of the city using insights from my research. Later, I chose to zoom in on a specific area of Istanbul called Üsküdar. I explored the streets using Google Street View, captured 360-degree images of interesting buildings, and used them as a basis for recreating and experimenting with the environment.

This project explores globalization and the mixing of cultures in the world we live in today. I recreated an iconic Dutch snack wall in 3D and composited it into abandoned locations across different parts of the world, creating a surreal vision of what might happen when globalization is taken to the extreme.

I used the well-known Dutch FEBO snack wall and its design as a reference, making small adjustments to keep it recognizable. While working on this project, I imagined a world where something typically Dutch could be found anywhere on Earth, on top of a mountain, in the middle of a desert, or in other unexpected places.